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The transformation of the elder sister's clothing is the European classical female hunting clothes, which does not have the function of convenience or enhancement of attack force, but is more to show the curvy beauty of women.

The dances of my senior sister are mainly traditional dances, and there are also some movements in the aspect of flower skating. On the whole, it is a kind of elegant performance, which undoubtedly shows the temperament of classical women in the past from the dances to the characters. (In addition, the flower language of my senior sister's representative flower, yellow iris, is also elegant.)

The senior sister here represents the traditional image of a magical girl before Xiao Yuan, and the image of the senior sister breaking the cocoon into a butterfly in the story's accident and transformation also reflects the idea of Xiao Yuan's work itself to break through the traditional impression of a magical girl.

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The desire for desire and the resistance to the world ethic also show that the purpose of Flame becoming a magical girl is different from other characters, and the desire to break through the bondage of "reason" and bring the circle back to her side. The freeze frame and flip of the slide during the step jump indicate that the flame's ability is to cycle in time.

Xiaoyuan dances in different ways, there are maids to tea, house dance and children dance, but there is no doubt in the performance of Xiaoyuan pure and lively characters, the four-leaf clover in the background is lucky, it is also the hope that the existence of both the keyhole and the key indicates that the circle is the source of the problem and the answer to the problem, that is, the "ring principle", pull up the hand of the small circle paper-cut on the one hand is in reincarnation over and over again the small circle of death, on the other hand, it also implies that the small circle has become an abstract existence.

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